font family from PR Fonts, added yesterday
The bushy weed commonly known as foxtail provides the inspiration for this set of ornaments, and reveals its connection to the prairies. The appearance has an affinity to cowboy themed work.
font family from PR Fonts, added yesterday
The bushy weed commonly known as foxtail provides the inspiration for this set of ornaments, and reveals its connection to the prairies. The appearance has an affinity to cowboy themed work.
font family from Virus, added yesterday
A utilitarian display typeface with a muscular character, Doctrine Stencil is the revolutionary comrade of the text typeface Doctrine. From the obscure starting point of the North Korean national airline livery, Doctrine Stencil has grown to encompass a series of more mature typographic influences. By blending elements of twentieth-century neo-grotesque, humanist and geometric styles, Doctrine Stencil is at once universal and idiosyncratic. Doctrine Stencil is informed mid-twentieth-century modernism, yet is more human and less clinical than many modernist faces. The rounded, lighter weights speak with graceful composure whilst the large x-height, low contrast and squarer, heavier weights give Doctrine Stencil an affable charm and a persuasive voice.
font family from Virus, added yesterday
A contemporary sans-serif typeface with an agreeable character, Doctrine Sans is the moderate comrade of the display typeface Doctrine Stencil. From the obscure starting point of the North Korean national airline livery, Doctrine has grown to encompass a series of more mature typographic influences. By blending elements of twentieth-century neo-grotesque, humanist and geometric styles, Doctrine is at once universal and idiosyncratic. Doctrine is informed mid-twentieth-century modernism, yet is more human and less clinical than many modernist faces. The rounded, lighter weights speak with graceful composure whilst the large x-height, low contrast and squarer, heavier weights give Doctrine an affable charm and a persuasive voice.
font family from HiH, added yesterday
Habana Deco ML was inspired by a hand-lettered sign on the stucco exterior of a small pharmacy in modern-day Havana, Cuba. It, in turn, was based on the fat-faced Art Deco lettering of the late 20s and early 30s, especially the Futurismo posters out of Italy, as well as alphabets designed in The Netherlands, France, USA and even the Soviet Union.
There are 24 stylistic alternate glyphs (SALT), many inspired by a variety of these sources, including a couple from the sign in the front of the Congress Hotel in South Beach, Miami.
font family from Intelligent Foundry, added June 6th
Zona Black is a geometric sans–serif display black typeface. It was inspired by typography from 1920’s posters featuring clean lines and some quite distinct glyphs such as the uppercase B and the H. Despite being black it’s tall x–height makes Zona quite legible even in smaller sizes.
font family from Nootype, added today
Helia, a semi-squared font with a soft and a friendly aspect. It’s less strict, more versatile. It was designed to provides a clear and legible typeface for the designers.
font family from Kostic, added today
The name for this typeface was chosen because Bicyclette is all about balance and elegance. The idea was to create a highly contrasted sans-serif family carefully balanced between gentle curves and sharp angles, with large capital letters opposing uncommonly short lower case, trough six distinctive weights. Letters are wide, and capitals pop up in headlines while lower case leaves a lot of white space between the text lines because of its small x-hight.
Edges were rounded in detail (not so much for the family to be called rounded), just enough to make the text feel slightly softer, gentler, while retaining some of that technical sans sharpness.
font family from Flat-it, added today
Originally designed in 2012 by Ryoichi Tsunekawa, All Round Gothic is a font family inspired by classic sans serif fonts such as Avant Garde Gothic and Futura.
All Round Gothic is a structured geometric sans, but also creates a sweet and cute atmosphere by removing unnecessary stems. With their bowls shaped by not-perfectly-geometric circles, All Round Gothic makes an organic impression in some degree.
font family from GRIN3 (Nowak), added yesterday
Gwidon is a family of three quite distinct fonts that perform together very well.
Gwidon Regular and Gwidon Line are elegant, fully connected scripts with ligatures to help with flow and readability.
Gwidon Caps is all capital letter font which include 2 version for each letter, easily reachable through keyboard upper and lower keys.
Gwidon can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc.
Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.
font family from Tour De Force, added yesterday
Publio is small unusual and unique font family, characterized with sharp, triangular semi-serifs.
font family from John Moore Type Foundry, added yesterday
JMTF Robin is a new post-modernist typeface in the spirit of Art & Crafts, born as a concept of a reformulation of a Gothic traditional building structure. Interestingly medieval structural architectural rescue form is for creating a font of traits absolutely contemporary without losing its artisan flavor. JMTF Robin is then a modular typography with very specific characteristics that provides an innovative texts while an appearance of great personality. Early versions of Robin was winners in Letras Latinas 2006.
font family from John Moore Type Foundry, added yesterday
Virgin is a hybrid typeface with a Victorian spirit, based on script forms of Romanesque ornamentation. With his rich variety of stylistic forms, ornaments and catchwords, Virgin is a chance to create completely new texts, varied and elegant. About 1100 Glyphs allow users to create words out standard, thanks to its Opentype programming in countless combination of alternates. The variety of styles makes it easy to create texts according to your taste and use because Virgin offer an unlimited combinations of stylistics alternates. Virgin is ideal for humanistic texts, tourist ads, liquor and wine labels, fashion and even for cosmetic purposes. Virgin is presented in solid and inline version, and a basic version for web in lighter weight, also providing a refined collection or ornaments and catch Words. Virgin has been specially designed for logotype, packaging & publishing design project. Virgin evokes the richness of nature in its biodiversity.
font family from Fabio Godoy, added yesterday
Typographical Caballero is a family created by Fabio Eduardo Godoy Angel, the concept is inspired by a type with firm and clear, with perfect posture and personality to be used by Graphic Designers and Architects, in terms of print, TV Corporate Identity, Merchandising - Other Projects. Ideal for antetétulos, titles, subtitles, texts from 12 Pts. Caballero Outline and Caballero Outline Italic, are presented as an option for antetétulos, titles and subtitles as well as short texts from 20 Pts. Caballero in his presentation Outline, allows wide range of applications in regard to the use of color, and be combined with Caballero Regular and Caballero Italic. Font Project Caballero, is set with a vertical and horizontal logic calligraphic lines, amount of contrast medium, antlers mullet and its completions are straight.
font family from Lián Types, added June 4th
Brand can be explained as a recipe with 3 ingredients: Mix lots of “jam” with sugar in a bowl. Add five spoons of hot Warhol’s “tomato soup”, and wear a “baseball” t-shirt while cooking. It may not taste so well, but you'll surely get some delicious glyphs! read more
font family from profonts, added June 4th
Savour Pro’s elegant, classic form has a calligraphic touch, almost a hand-written feel. The individual creation of the characters provide additional dynamics and vitality.
font family from URW++, added June 4th
URW Urban follows the trend of pattern fonts. Each character has been provided with an individual pattern created with a special stamp technique. To create a vivid typeface, there is a stylistic alternate for nearly every character. In this way the grotesque has a modern, unconventional look.
font family from URW++, added June 4th
Just like my previous typefaces, my new one, Smooth Buggaloo, also finds its roots in music. The Boogaloo was a popular music style in the 60s, a mixture of Latin and Rock and Roll music. Later Salsa took over this genre. Latin music represents a vibrant, lively and an uncontrollable need to move. read more
font family from URW++, added June 4th
Styla is a refined romantic sans, in the best tradition of Didot and Bodoni. The combination between Styla’s feminine grace and sharp endings creates an air of seduction, ideal for magazines, ads and books on fashion, fine arts, philosophy, luxury goods, women and love.