The Vtg Stencil series of fonts from astype are based on real world stencils. These stencils were used in the 50’s and 60’s by the US Army.
If you are interested in the current stencil design, please have a look at Vtg Stencil US No.72.
Duct tape is one of the most versatile adhesive materials known today. From fixing the bumper of your car that keeps falling off, to creating a sturdy wallet. From alternative wrapping to sticking a friend to the wall, Duct tape is there.
And it will stay there. It will stick to anything and hold for a very darn long time too! The cloth-backed tape was invented some time during World War II, and also proved itself useful as a base material for lettering.
VLNL Duct was originally designed by DBXL as a logo for temporary Amsterdam restaurant BAUT. DBXL imagined an owner taping the name on the window of his shop using Duct tape. The font was used for all communication of the restaurant.
Duct is a sturdy, rough all-caps typeface that will stick to anything.
VLNL Bleek started its life as a logo for a rock band with the same name. This makes sense as it has distinct roots in classic rock logo design. Any rock band name set in Bleek looks instantly cool profi logo quality! Of coarse Bleek will serve an awesome purpose as a headline font as well.
Or gig flyers and posters. Or band backdrops. Just turn it up to 11!
DBXL expanded the original logo into the full Heavy weight and added Light and Medium cuts. VLNL Bleek is an all caps font with uppercase and lowercase variations for maximum effect.
It has a number of Open type features, like and alternate F, mirrored A and O and a TT ligature to spice up your designs. VetteLetters says: Rock on!
Vivala Line has been inspired by old Polish childrens book with its charming hand drawn lettering titles.
Fields of application are posters, magazines, packaging design, books, corporate design up to consolidating reading.
73 icons on the topiccoffee house.The extensive kit includes the categorys coffee, drinks, food, coffee makers, roasted coffee and tea. The clear design is adapted to mobile interfaces and suitable for print, as well.
Vintage Stencil Motifs JNL is a collection of charming and decorative designs re-drawn (as the name indicates) from vintage source material.
For decades, home decorators and do-it-yourself hobbyists embellished furniture, chests, walls and other areas with thematic stencils in both borders and topical vignettes.
Today’s digital designers can use these stencil patterns to embellish text set in other stencil alphabets or by themselves to evoke the feeling of rustic Americana.
Please note:
-This font has been basically designed for poster display in black weight and big size (mostly for capital letters). The rest of the family is a derivative work of it. I cant guarantee if it works well on small size print.
-Future updates may follow in the near future or on request.
Please feel free to contact me via rolandhuse@aol.com about the following:
-This family does not contain all the language extensions, but I am willing to create any extensions (including Cyrillic) on request;
- Discovering kerning problems while using;
Or any other question.
A page from an “ideas booklet” that was copyrighted in 1939 by the Sanford Ink Company displayed a hand lettered variation on the counter-less [or solid] alphabet that so typified the Art Deco style of the times.
Bold, brash and beautiful, Upscale JNL evokes high-end department stores, fine millinery shops, cafeterias, night clubs and other business establishments from the Streamline era.
This type of lettering style was a workhorse, and could (and still can) tackle any message with strength, clean lines and class.
Simple, unassuming, yet fully functional in all sign, poster and headline applications is Unpretentious JNL and its oblique counterpart. Where plain, bold titling is necessary, this typeface will draw attention to the message with minimum effort.
Typesetter Helpers JNL is another collection of vintage letterpress cuts comprising cartoons, sales helpers, ornaments, stock cuts and other nostalgic pieces.
Tulipn Broken Caps Pro is new variable/complement of Tulipn Broken Caps, it includes 200 interesting ligatures, specially designed for games, apps, books, logos and packages. Its bold structure is perfect to give great efects.
In Rounds fontfamily Typetype the designers and engineers made a most popular round font funny, kind and strong style in 10 typefaces. Rounds have unlimited opportunities to use: text, logos, branding, web design and many others.
Fontfamily Rounds contains many languages and alphabets and is compatible with other TypeType fonts.
Prosto Sans quality sans serif fonts created for casual use in interactive environments. This font family was based on the legendary Prosto free font. We added in this font family new typefaces and support for many codepages and languages.
The fonts are very convenient to use in web, mobile apps and in desktop computers. The font family Prosto Sans contains many languages and alphabets, and is compatible with other TypeType fonts.
Days Sans is a qualitative reincarnation of the legendary free font Days. The font became more smooth and soft. Now this is a text fontfamily. We added in this fontfamily new typefaces and support for many codepages and languages.
The fonts are very convenient to use in web, mobile apps and in desktop computers. The font family Days Sans contains many languages and alphabets, as well as compatible with other TypeType fonts.
Trumpit is a retro looking yet a bit modernish brush font based on early-mid 20th century’s typefaces. Made mainly for higher resolution signage, but nicely readable as lower resolution texts too.
Knud V. Engelhardt (18821931) was an architect, printer and designer from the country of our laid back neighbours, Denmark. Knuds characteristic letter forms have already made a strong impression on some modern typefaces.
Most notably is probably Skilt Gothic by a fellow Swedish compatriot, where Knuds way of trimming the diagonal stems is one of the spices used to give the typeface its character.
Fighting against the desire to make something similar, this new typeface instead takes the concept to a whole new level by trimming not only diagonals, but all possible letters! More…
Trim comes in a large family including manually hinted webfonts and high quality desktop fonts. Some are fat, some are skinny and some are just lagom. This is the monospaced version of Trim.
We destroyed our fonts and create a new collection with our best-sellers types.
The Carpenter is an elegant and versatile connected script family of three weights. The Carpenter also has a set of ornaments, patterns and pictograms designed to support the script font. The Carpenter has plenty of OpenType features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Lining Figures in any OpenType Savvy program or manually choose from even more alternate characters from Glyph Palette.
The Carpenter is an effective and easy to use font for creating ambitious headlines, logos & posters with a custom-made feeling.
The Carpenter is loosely based on Fenotypes earlier release Mercury Script.
For the best price purchase the complete The Carpenter Family.
Tecnica Slab font family has been designed for Graviton Font Foundry by Pablo Balcells. It is a modular, geometric, slab serif typeface with a slightly condensed design and subtle rounded angles.
It has been conceived to be most suitable for all sized headlines, as well as short and middle length text blocks. The standard styles give texts a classic appearence while alternate styles give texts a playfull one.
Tecnica Slab consists of 4 styles, 2 weights plus alternates, each containing small caps and glyph coverage for several languages.
Tecnica font family has been designed for Graviton Font Foundry by Pablo Balcells. It is a modular, geometric, sans serif typeface with a slightly condensed design and subtle rounded angles. It has been conceived to be most suitable for all sized headlines, as well as short and middle length text blocks.
The standard styles give texts a classic appearence while alternate styles give texts a playfull one.
Tecnica consists of 4 styles, 2 weights plus alternates, each containing small caps and glyph coverage for several languages.
I came across an article in which the author warned about the growing pile of technojunk. It appears we throw away 50 million tonnes of unwanted gadgets EVERY YEAR - and, yes, that number is growing as these are the figures for 2012. 50 million tonnes - just think of that!
The new font I was working on had a squarish look - almost computer like, so I decided to call it technojunk. Hopefully you won't throw it away
Technojunk is a 3D font, every glyph was drawn by hand. It is fat, fun and very useful. Try it out!
There is always room for tea! A hand-drawn collection of 74 all things tea. From teacups to teapots and everything in between, even a pickle and a chocolate truffle. And no High Tea is complete without some bubbly or a glass of wine perhaps.
Ruha Harline is a modern and mechanical serif typeface and is the result of stencil’s RUHA development. Being the first typeface of the family, it sets the basic concepts for further development, on each version to come.
The design approach, results from a rigid geometrical connection with the Roman du Roi, since the letterforms are imposed by the constraints of the RUHA ruler.
More…
A concept driven serif font family of 5 weights. It is a contemporary take on the humanist serif with a touch of rationality and frivolity. Tautz began its life as a research into collective British Style & Heritage, as the pursuit of capturing Britishness without falling into the trap of stereotyping. Tautz is a personal reflection of Mariya V. Pigoulevskaya, resulting in a functional & characterful font family. Tautz features lowered x-height with an intention to create tension and resistance on the page or screen for that matter. This counteracts the geometric approach to the glyph construction and the sharpness of serif details. Resulting in a unique typeface that is suitable for text & display. Details include 5 weights, over 470 characters including Cyrillic ligatures, manually edited kerning and Opentype features.
Taurunum Ferrum is a version of Taurunum family, made to feel like it’s been cast in iron or cut out of steel plates. It is ment to be used in a bold display setting where raw and strong look is a priority. The Iron style has an medieval (blackletter) flavour, while Steel has more of a contemporary look. Taurunum Ferrum has a character set to support Western and Central European languages.
Tact is a geometrically sans serif font, black and condensed looking glyphs, with an alternative glyph set to improve its use in different graphic contexts. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, futuristic themes, sport, film, computers, phones, video games, magazines...
Contains all Latin and Cyrillic glyphs.
Suzee FY is a semi-connected vintage script inspired by marker felt hand letterings.
With its condensed and sharp look, this font will perfectly fit on posters, menuboards, packaging and all retro designs!
Suzee FY comes out with 1 weight.
Suzee FY was co-created by Evgeny Tkhorzhevsky & Fontyou team on co-create.fontyou.com, the first collaborative type foundry.
Surakarta is a display face of western characters with numerous optional ligatures modeled after the graceful Javanese alphabet still taught in many schools on the island of Java in Indonesia, though it has been replaced by the latin alphabet for most everyday purposes.
This is the second in Parquillian Designs series of fonts inspired by some of the beautiful lesser-known native scripts of Southeast Asia.
Supernational is an experimental typeface in two styes, lines or lines and dots.
Superb is a new typeface based on real brush pen script and also influenced by lettering shapes from the sixties and seventies.
The font includes various swashes with volume and curls.. Superbs letters got high contrast and some psychedelic curves.
This font includes negative figures and a full alphabet set with cut out shapes.
Flavored with a cool set of discretionary ligatures, and infused with delicate sweetness, Suntea is quirky and refreshing! Suntea Caps keeps it bold with all-caps and alternates for each character. Hand drawn and delicious, let Suntea quench your thirst for a friendly font.
